A
Painting Lesson
Are
you ready to do your own Chinese brush painting? Good! If you are not sure
about what you'll need go to Materials
and learn about the Four Treasures of Chinese painting.
Today
we will do a painting of a bamboo. Bamboo is usually the first subject tackled
by beginning students. It is the easiest subject to master and is also the most
calligraphic. Bamboo painting is all about the beauty of line. You will be
amazed at all the different qualities of line you can achieve with just one
brush, simply by changing the angle and pressure with which you hold it.
Practicing
Separate Elements
Start
by practicing the stems of the bamboo. The stems rise from the ground and grow
towards the sky. In the same way, when you paint the stems start with the brush
at the bottom of the page and pull upwards. Press the brush hairs flat against
the paper, pull up to paint the first segment, and release. Leave a little
space in between each segment. Repeat till you reach the top of the paper. Make
a whole page of stems this way. See if you can vary them in width as well as
dark and lightness.
Now
fill in the bamboo nodes. These are the little hooked lines which connect the
segments of the bamboo. Make them a little darker than the bamboo stems.
Next practice painting a page of small branches. It takes
more control to make all the branches thin like this so hold your brush close
to the bottom of the brush and rest your hand lightly against the paper.
Start
a new sheet of paper to practice the leaves. When painting leaves it is
important to continually change the brush pressure. Think of the brush as a
dancer, with the very tip of the brush being the dancer's toes. Start the leaf
by having the dancer up on the tips of her toes. As you paint the leaf the
dancer comes down flat on her feet and then gradually rises up on her toes
again. In this way you will get the beautiful thin point at the beginning and
end of the leaf, and the thicker part in the middle. Practice a whole circle of
leaves this way.
Now
practice grouping the leaves in patterns of twos, threes and fours. Notice the
leaves touch or almost touch at the top and are spread apart at the bottom. As
in playing golf or tennis, follow through with the arm after each brushstroke
is complete.
Putting
It All Together
You
are now ready to combine all the elements you've practiced into a finished
painting. Start with a clean sheet of paper. Paint a singular stem that starts
from the bottom of the page and goes off the top. Don't worry if there are
white spaces where the ink was sparce. These white
spaces enhance the three dimensional look of the stem.
Now
add the nodes in between each of the segments.
Add
a few branches. Note that the branches grow from the bamboo nodes; never from
the middle of the stems.
Add
a group of leaves to the bottom branches. In this painting I decided to make it
a cluster of five.
Finally
add two more clusters of leaves to the upper branches. Try to vary the amount
of ink so some leaves appear darker and some lighter. In this way some leaves
will look closer to you while others appear farther away.
Your
painting is now complete. Rather than clutter up the painting with many
branches and leaves, allow the bamboo to be surrounded by a good deal of
"white" or "empty space". In a Chinese painting the empty
space is as important as that which is painted. The saying "less is
more" particularly holds true for this style of Chinese painting.
If
you have a chop (a stamp with your name carved onto it) you can add it
alongside the painting. Always place the chop in a place where it does not
interfere with the rest of the painting. You can also place it someplace where
the subject of the painting needs a counterbalance in the space on the paper.